Continuation of an article written by Dn. Sergius Halvorsen,
offering helpful insights for readers. This article is
copyrighted, and used by permission.
The
Practical Side of Church Reading: Diction
Though many of the texts we read in church become
familiar to us over time, the reader should always assume that at least
one person in church is hearing the text for the first time, and
therefore the proper pronunciation of every word is essential.
Once a reader understands the reading and is prepared
to read it in a manner that brings out the organic rhythm of the
language, the task remains to execute the reading with precision.
This is primarily a matter of proper diction. Consonants are the
major component of diction in church reading; if the reader ensures that
all the consonants are in place, the vowels will normally follow.
The reader should pay particular attention to words that end with
consonants. Words like "Lord" or "and" can end
up sounding like "Lor" or "an." While these
mispronunciations may not entirely obscure the meaning of the text, they
diminish the overall clarity of the reading, which compromises both
beauty and intelligibility.
Clear diction is particularly important when reading
in a church that is quite large or that has particularly poor
acoustics. ("Storefront" churches with sound-absorbing
ceiling tiles are particularly notorious for rendering mute even the
best of readers.) The clear and precise pronunciation of
consonants will produce a crisp and highly audible reading.
The reader should also remember that proper diction
requires a good deal of mouth movement: one cannot properly pronounce
words with a lazy mouth. A good practice technique is to imagine
that you are trying to talk to someone through a soundproof
window. The only way to do this is to exaggerate the normal
movements we make when speaking. While this certainly could be
taken to an inappropriate extreme, the good reader will always take
particular care to open the mouth and fully pronounce every consonant.
So, while always respecting the natural rhythm and
accent of the text, the reader should strive to articulate every
consonant of every word. Toward this end, he or she should employ
all of the methods employed by singers: proper breathing, posture, and
tone production are all necessary for accurate diction. With those
vital elements in place, the reader is likely to achieve a high degree
of clarity.
Copyright ©2002 PSALM, Inc. Used by permission.
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